Digital Cinema Concepts HD979
- Nov 27, 2014
- 2 min read
Digital Cinema Concepts: Interline twitter

Interlace introduces a potential problem called interline twitter, a form of moiré. This aliasing effect only shows up under certain circumstances—when the subject contains vertical detail that approaches the horizontal resolution of the video format. For instance, a finely striped jacket on a news anchor may produce a shimmering effect. This is twittering. Television professionals avoid wearing clothing with fine striped patterns for this reason. Professional video cameras or Computer Generated Imagery systems apply a low-pass filter to the vertical resolution of the signal to prevent interline twitter. Computer monitors 1080p content Most widescreen cathode ray tube (CRT) and liquid crystal display (LCD) monitors can natively display 1080p content. For example, widescreen WUXGA monitors support 1920x1200 resolution, which can display a pixel for pixel reproduction of the 1080p (1920x1080) format. Additionally, many 23, 24, and 27-inch (690 mm) widescreen LCD monitors use 1920x1200 as their native resolution; 30 inch displays can display beyond 1080p at up to 2560x1600 (1600p). Many 27" monitors have native resolutions of 2560x1440 and hence operate at 1440p.Digital Cinema Concepts HD979 Digital Cinema Concepts i sell: Final output format For material that originates from a progressive scanned 24 frame/s source (such as film), MPEG-2 lets the video be coded as 1080p24, irrespective of the final output format. These progressively-coded frames are tagged with metadata (literally, fields of the PICTURE header) instructing a decoder how to perform a 3:2 pulldown to interlace them. While the formal output of the MPEG-2 decoding process from such stations is 1080i60, the actual content is coded as 1080p24 and can be viewed as such (using a process known as inverse telecine) since no information is lost even when the broadcaster performs the 3:2 pulldown.
A clean print at a typical movie theater may have a contrast ratio of 500:1. Dynamic contrast ratio is usually measured at factory with two panels (one versus another) of the same model as each panel will have an inherent dark and light (hot) spot. Static is usually measured with the same screen showing half screen full bright vs half screen full dark. This usually results in a lower ratio as brightness will creep into the dark area of the screen thus giving a higher luminance. Digital Cinema Concepts review Digital Cinema Concepts review:Contrast ratio The contrast ratio is a property of a display system, defined as the ratio of the luminance of the brightest color (white) to that of the darkest color (black) that the system is capable of producing. A high contrast ratio is a desired aspect of any display. It has similarities with dynamic range.


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